Path of Flight

Do you ever sit at home and wonder, what do airlines do with all of the flight attendant garb from over the years? And the cutlery, and maybe even the old planes?

               I hope TJ Maxx has something similar.

Lucky for all of us, the Los Angeles Board of Airport Commissioners gave the thumbs up for an educational center to be built in LAX’s Imperial Terminal. The main focus of the museum is to celebrate LAX’s big 75th anniversary, and the 100th anniversary of the Wright Brothers first powered flight.

Flight Path was founded in 1995 as a nonprofit, community-based organization to honor aviation pioneers, recognize the economic importance of aviation and aerospace to Southern California, and encourage youth to pursue education and careers in aviation-related fields.

The Flight Path museum has open galleries filled with intriguing items ranging from the glorious uniforms of flight attendants past, to sublime plane models, entertaining collectables, and useful oddities that airlines have issued. There’s even a DC3 humbly parked in the back, for your exploring pleasure. You can take in what leisurely lives passengers once had aboard.

Among the DC3, there are other commercial planes that are no longer in service. If your timing is right, the all-volunteer staff will allow you to tour these majestic beasts.

Possible Virgin Galactic uniform

You could spend an hour in here if you’re not reading all the signs, but for the aviation enthusiasts, I would say a few hours for full immersion and make believe. If you get to LAX with a few extra hours due to neurotically overthinking the commute, swing by the Flight Path Museum for some history and fashion inspiration.

 

16 hour flights were meant to be chain smoked on.

Flight Path Museum and Learning Center

6661 W. Imperial Highway, Los Angeles (South side of the airport)

Parking: Free

Flight Times:

Tuesday – Saturday: 10AM – 3PM

Closed Sundays

Guided Tours: Thursdays at 10AM

Admission: Free

*UPDATE* Wende Museum

Inconspicuously located in Culver City at the 1949 National Guard Armory building, is the Wende (pronounced “venda”) Museum.

Garden Egg Chair, 1968, Peter Ghyczy

For those not acquainted with the The Wende:

 Examining the history of Eastern Europe and the Soviet Union can be fraught with political and personal bias, and the complex, often contradictory stories that underlie the Museum’s artifacts may provoke uncomfortable questions. The Museum’s location in Culver City, California, provides independence and critical distance from current political debates in Europe, and also facilitates the questioning of preconceived ideas about our past and present. Moreover, the Museum’s physical remoteness from Central and Eastern Europe has enabled it to attract significant artifacts and collections that might otherwise have been destroyed as a result of emotional and political reactions. – Wende Museum

Growing up in the United States, we are blindly sheltered from any true political strife: war, brainwashing, and public executions are things we have been fortunate to have avoided.

Immersing yourself in such powerful relics is to observe a life you’ll (hopefully) never experience.

                      Stasi’s stalking tools

As you walk in, you are greeted by a gift shop on the left, and the product of the Monday Demonstrations on Lenin to the right.

This is what protesting looks like

As you enter the general space, the walls are succinctly curated with the current revolving exhibitions. The two latest installations that adorned the space were: “Promote, Tolerate, Ban: Art and Culture in Cold War Hungary”, which is a collaborative initiative with the Getty Research Institute, and “Socialist Flower Power: Soviet Hippie Culture”.

Clothing from “Socialist Flower Power”

 

A piece from “Promote, Tolerate, Ban”

In the two alley ways that run parallel, there are enough books, furniture, clothing, toys, and other household items to keep you intrigued and satiated for hours.

           Google translate can’t keep up.

 

    This probably doesn’t have the ‘Gram on it.

 

                  Definitely not fast fashion

 

              Checkpoint Charlie curiosity fix

 

I wonder if they made one of him in pajamas.

 

The Wende is one of Culver City’s best kept secrets, but with your help, it won’t be for much longer.

 

The Wende Museum 

10808 Culver Blvd., Culver City, CA 90230

Hours of Enjoyment:

Friday:  10 a.m. – 9 p.m.

Saturday and Sunday: 10 a.m. – 5 p.m.

Along the Velvet Trail.

When someone murmurs on about velvet paintings, where does your mind drift to?

Psychedelia with fluorescent mushrooms, bug-eyed elves, and vivid cheshire cats that beg to be viewed with a black light from Spencer’s?

Or, do you imagine demure women that belong on a Pacific isle?

Either way, Carl Baldwin and Caren Anderson want you to see velvet paintings as more than just a pop culture throwaway. Frustrated with the disdain that has relegated the paintings as the 50 Shades of Gray of the art world, they knew they needed to educate the public about this expressive art form.

Carl was my Velvet connoisseur for the day.

They did what any art savvy folk would do: together, they opened the Velveteria museum in Portland, Oregon in 2005. After spending almost 10 weird years in the Pacific Northwest, they packed up, and relocated to Chinatown, Los Angeles in 2013.

Here, is where over 3,000 paintings from almost every continent richly adorn each wall. From Polynesian princesses, to David Bowie, no one leaves without seeing something that sends their hearts a flutter. They even have a black light room with the art you haven’t seen since high school/college – but of a higher quality, and much more trippy, as the kids used to say.

Sauntering slowly through each room, Carl become entrenched in each layered detail, and minute description – it was utterly blissful having my own personal docent. Especially one that has such delightful fervor and kind passion for what the uninformed describe as, “a tasteless art form”.

Throughout the attentively curated walls, there are hand written notes, that describe in deep detail about the artist, and their work.

Lots of love and effort.

There are also boards of information that entail the process, and the different qualities of velvet: not all velvet is on the same plane of existence.

To stay relevant in the world of celebrity, Carl mentioned they procure the latest celebrity/politician artwork from an artist in Mexico.  Some of these paintings are just a tad surreal. The details on each work can at times be beyond belief. How one can paint so finely on fabric is hard to wrap one’s mind around.

The good ole days.

Before I ruin your experience of the full splendor of a velvet playground, you should just probably go. An hour should be fine for most, but allot more for a true, in-depth pleasure cruise down the velvet trail.

One more thing – please keep me posted on the new artwork. I’m hoping there’s a fancy Taika Waititi by now.

 

 

The Velveteria 

711 New High St, Chinatown, Los Angeles, CA 90012

Times for Enjoyment:

Thursday – Sunday

11:00 am – 6:00 pm

Admission: $10

 

Hoppin’ around downtown LA

They ate everything.

They ate everything.

Rabbits are often referred to as pests, generally to our seasonal produce. Australian artist, Amanda Parer created a public installation that examines the vermin that are responsible for eradicating wildlife, while escaping annihilation by humans. Intrude was created from sewn white nylon, inflated and illuminated from the inside. Introduced to Australia by European settlers in 1788, rabbits are responsible for creating an imbalance to the country’s endemic species. Yet, our feelings for these fluffy, adorable creatures are fairly complex. Her work examines the cocktail of emotions we have for these furry nuisances.

They represent the fairytale animals from our childhood – a furry innocence, frolicking through idyllic fields. Intrude deliberately evokes this cutesy image, and a strong visual humour, to lure you into the artwork only to reveal the more serious environmental messages in the work. They are huge, the size referencing “the elephant in the room”, the problem, like our environmental impact, big but easily ignored.

Amanda Parer

 

For a very limited run, Los Angeles will be welcoming in the nylon scourge. You can view them downtown starting June 5th, through June 11th at these locations: Bank of America Plaza, Wells Fargo Center and FIGat7th. They will be available for photo shoots from noon to 9 p.m. each day.

After their take over of the West, they will complete their North American tour to New York, Denver, and Houston. For more information about Intrude, you can keep going down the rabbit hole here.

More about the artist: http://amandaparer.com.au/

 

Before Abbot Kinney was littered with decadent shops and gourmet cafes, it once belonged to the bohemians, green space, and the eccentrics. The boulevard’s galleries showcased the neighborhood talent, and praised itself for being an artist’s refuge from materialistic L.A.

Lucky for us, the hyper-gentrification didn’t sell all the soul from Abbot-Kinney. In some unexpected nooks and crannies, there is some art lurking in the open. I almost missed The Chaplin Zoetrope, if my lovely friend had not pointed out to me as I was walking into traffic.

 

While I was searching for the name of the person responsible for saving my inattentive heinie, my eyes landed on the stack of informative cards perched under the exhibit. The card’s map specified all the public art in the area, along with a web address of other projects that all art-appreciating Angelenos should be aware of.

 

A map to several pots of gold

 

On the reverse, the numbers explain each installation, with their whereabouts included. Thanks to Robin Murez, who commenced the Venice public art project in 2005,  she hoped to inspire a sense of community amongst all the various citizens dwelling in the Venice area. Along with unifying the residents, Robin wanted bring about a sense of wonderment and delight with each piece.

A list...of visual treasures.

 

They are always open to suggestions, and needing assistance with: locating sites, creating, inviting, organizing, installing, landscaping, CAD drawings, permits, funding, photographing, and media.

While I’m crafting my thank you card, I recommend investigating these visual treasure troves before they’re bulldozed for a new Prada store.

Website: www.venicepublicart.com

“Nobody intends to put up a wall!”

Walter Ulbricht, Leader of the GDR, June 15, 1961 – 2 months before the Berlin Wall was erected.

Bring home a piece of oppression.

Bring home a piece of the oppression.

After 26 years of Checkpoint Charlie, the Berlin Wall tumbled down. The haunting combination of barbed wire and cement that segregated Berlin, crumbled by force to reunite the communist-controlled East, with their capitalist West neighbors. East Germany’s way of life that was cultivated under Soviet rule tumbled out as well.

Does IKEA have prints of these?

Does IKEA have prints of these?

Fortunately for us history buffs and curious cats, the Wende Museum has fought to collect, and preserve the remnants of the communist-era. Currently located in Culver City, the collection contains artifacts, personal histories and archival documents that record life, expression and politics during the Cold War period from 1945 to 1991. They have amassed a variety of media including: design objects, periodicals, ceramics, paintings, sculptures, posters, furniture, clothing, films and books. A bragging right of the Wende is that they are one of the few institutions in the world to hold an almost complete run of Neues Deutschland, the official newspaper of the central committee of the Socialist Unity Party (SED), the controlling party of the East German state. Not many can proclaim this: due to the emotionally charged end of the Cold war, a lot of articles were destroyed, or defaced.

I think he looks dashing as a pink head.

I think Lenin looks dashing as a pink head.

The Museum commits its acquisition resources largely to those artifacts, artworks or collections that either make an important addition to core strengths or fill significant gaps, and/or are threatened with imminent destruction or dispersal. This includes historically or culturally significant items likely to be sold to a private collection and removed from public access.  The Wende also attempts to acquire artifacts at the request of scholars in need of specific resources unavailable elsewhere. – The Wende Museum

Despite all my rage, I'm just a Lenin in a cage.

Despite all my rage, I’m still just a Lenin in a cage.

A few of the odds and ends that were recently acquired from the surveillance state were the Stasi espionage cameras and recording equipment, outfitted in various briefcases. For the dames, a purse to discretely snap photos of would-be escapees, radicals, or tunnel diggers. Among the photogenic spy items, there were also various wire tapping devices, just to remind you that you never know who was really listening in.

It's how I keep up with the happenings in my neighborhood.

Talk directly into my briefcase, and tell me about your weekend.

Not all of the Wende is Lenin, and Stasi: they also obtained articles from the East German 6th Sports and Gymnastics Festival, held in Leipzig. From jerseys, helmets, medals, to even the athlete’s sneakers, it is a rather complete assortment.

A locker room, without the unpleasant odor.

A locker room, without the unpleasant odor.

If athletic events don’t interest you, the various records and and play bills might light up your intrigue.

Porgy, is that you?

Porgy, is that you?

At the end of the tour, you’ll find yourself surrounded by relics from the checkpoints at the Wall. One can only imagine the fear and anxiety that permeated German citizens as they crossed.

2015-01-23 02.51.13 1

The Wende Museum is currently in the process of relocating to the Armory, in Culver City, as the tiny confines of the current location do not allow for full displays of all the various collections. Once completely moved in, they plan on accessible hours and days for the public to visit. There is no set opening date, they are still looking for investors and donations to fund the new location. As of late, they only allow guided tours on selected days of the week, since most of the pieces are in a warehouse and storage, wrapped up, in boxes, or in cages.

 

The Wende Museum

5741 Buckingham Parkway, Suite E
Culver City, CA. 90230

Phone: (310) 216-1600

Open to the public on Fridays, from 10am to 5pm, except holidays, guided tours to the public are on Fridays at 11:30 AM and 2 PM

Admission is free.

 

 

Located in a tourist-laden part of Santa Monica, the 113 year-old Camera Obscura perches nonchalantly on the cliffs. A short jaunt from the famous pier, the 50s type font on the camera’s housing begs you to take a gander.

You can scope out climbing trees for afterwards.

You can scope out climbing trees for afterwards.

One of three left in California, Robert F. Jones constructed the camera in 1898, and gave it to the city in 1907. For 50 years, the camera delighted beach goers and peeping toms on Santa Monica beach. By 1955, it was relocated to the nearby Senior Recreation Center.

A-ha!!!

A-ha!!!

The Camera obscura dates back to the ancient Greek era, as it was one of the earliest optical inventions. Scholars believe that these types of “cameras” were utilized by Renaissance painters like Leonardo Da Vinci to project live images onto the canvases to assist them in painting. By the Victorian and Edwardian times, it had become a popular attraction in the US, and across the pond.

Peeping Lauren.

Peeping Lauren.

I was rather pleased to see a diverse blend of persons queuing up for their opportunity to view the beach through a Renaissance lens. We have come so far when photography is involved, yet we sometimes forget what novel inventions we have left behind. The camera obscura is free, and all you have to do is wait your turn once you sign in. Once you’re in, they give you the key, and you can spend a large chunk of time spinning the wheel, exploring the beach of Santa Monica, or the car culture on the other side. A fun side adventure for all ages. Bring grandpa along, so he can prattle off tales of how this was the only camera he had as a boy, while his great-grandchildren struggle for a grainy snapshot with their iPhone 6’s.

Ahoy, thar be peeping toms ahead!!

Ahoy, thar be lookie loos ahead!!

 

Camera Obscura

Senior Recreation Center

1450 Ocean Blvd.

Santa Monica, CA 90401

Hours: Mon-Fri 9am – 2pm Sat 11am – 4pm

Phone: (310) 458-8644

The Gentle Barn

Sundays are often reserved for sleeping through all of your meager time away from the office. Yawning, you consider an indulgent beach day, so you could even out that driver’s tan. But on second thought, slathering on SPF 1000 has inspired a change of plan. There’s a place above in the canyons that is home to abused/neglected farm animals that are rehabilitated, is open for pettings to the public only on Sundays.

Sassy prefers a massage while she sunbathes.

Sassy prefers a massage while she sunbathes.

The Gentle Barn was started by Ellie Laks, in 1999, in Tarzana, CA. It was a dream of hers since the tender age of 7. Animals were a constant source of comfort to her throughout her childhood. Jay Weiner, who felt similarly, decided to volunteer, then joined forces with Ellie. Together, they relocated the Gentle Barn from a half-acre property, to a sprawling six acres, in Santa Clarita, CA. Their ultimate dream is to open Gentle Barns across the nation, to provide healing and safety to all animals and children. The animals are often paired up with children who’s stories mirrors theirs: abuse, neglect, ect. The children find in the animals a source of hope, a future of healing, and a new friend.

Snuggle Claire as she gobbles sweetly in your ear.

Snuggle Claire as she gobbles sweetly in your ear.

Luckily, the Gentle Barn is opened on Sundays to the public, so you can cuddle Claire, scratch Sassy the Goat, or even get a hug from a cow.

Hug, brush, or snuggle, will bring an approving nuzzle.

Hug, brush, or snuggle, will bring an approving nuzzle.

If you want to begin to frequent this barnyard snuggle fest, you can buy a season pass for $50.00. It will buy you admission, a popcorn, and a bottle of water. You can walk right in after you sign in. No waiting in line, so you don’t have to arrive to a bunch of cranky carrot craving horses. What I also enjoy is that they offer vegan hot dogs, and other nice nibbles for purchase. There is also an option of bringing your own picnic lunch, but please note: they request that you do not bring meat or dairy onto the premises in respect of the animals. Parking is also free, and it is on a gravel lot, so leave your Sunday’s finest at home.

 

 

The Gentle Barn

15825 Sierra Highway

Santa Clarita, CA 91390

Open on Sundays to the Public: 10am – 2pm

Admission: $10.00

Phone: 661-252-2440

 

Most of my excursions to Westwood take place at an indecent hour, due to Diddy Riese’s completely accessible hours. Fortunately for my waistline, this adventure had nothing to do with cheap and delicious ice cream sandwiches.

Small, but a well rounded collection

The Armand Hammer Collection also includes sculpture and drawings.

The Hammer museum, a public arts unit of UCLA, was founded by Armand Hammer, CEO of the Occidental Petroleum Corporation. Originally, his personal collection was going to be housed at the Los Angeles County Museum of Art. After a disagreement of how it was going to be displayed, he purchased a site to construct his own museum. Armand passed away less than a month after his namesake opened, in November of 1990. Today, the Hammer is not only known for his personal collection, it’s one of the most groundbreaking and contemporary museums in the Los Angeles area. It has hosted a rotating selection of programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. Their mission statement is simple:

The Hammer Museum at UCLA
believes in the promise of art and ideas
to illuminate our lives and
build a more just world.

Happy dogs need not apply.

Henri Jr.?

With this in mind, I headed over to see the newest exhibit that is on display is one by the Mexican artist, Pedro Reyes. His project, pUN: the People’s United Nations, is a combined event and exhibition that places the diplomatic and global problem-solving missions that the United Nations face, onto non-political participants from all over the globe.  The representatives are instructed to use social psychology, theater, and art to solve the world’s most unyielding problems: from the current violence in his home country of Mexico, to food shortages, pay equality for women, and even the downward spiral of bees.

Dove Drone

Drone Dove wants peace and unity. And possibly your Cheetos in your back pocket.

One of the sculptures in particular, Disarm/Clock, is comprised of weapons that the Mexican police collected, then broke down and melted. Reyes then took these instruments of hate, and re-constructed them into actual instruments. He thought that they could help provide life and music, rather than take it away. For “Disarm,” Reyes, with his team assisting, used programs like Ableton Live, MIDI, and Max MSP to transform guns into pianola-esque musical instruments. For the “Clock” portion, every half hour or quarter of the hour, the mechanical clock utters a sound.

Gun Day

Up-cycling the best way you can.

Another exhibit I stumbled on, rather literally, was choreographer Maria Hassabi’s, Plastic. Her live installation includes sloth-like performers, that slither throughout the museum. The enlisted dancers consistently enact a form of live installation in the gallery and the museum’s outdoor spaces.

Slow motion dancing.

Mind the tap.

If you’re full on performance art, but running low on caloric intake, there’s a cafe in the courtyard that caters to your metabolism. There, you can let each exhibit mull in your mind, as you sip a cold pressed juice, and realize you mistakenly ordered a gluten-free muffin.

This is how I will spend all my Sundays.

This is how I will spend all my Sundays.

Once you’ve tossed your juice bottle in the recycling bin, collect your belongings, and go upstairs to the top floor. There’s a ping-pong table that is also part of a project. The sound of visitors attempting to “Forrest Gump” it up is the exhibit. The two paddles, and cluster of bouncy balls invite any curious folk to lob a few over, as they attempt a fancy back-handed serve. I left my Roger Federer impersonation at home, so I ended up doing fairly decent.

She thinks you should visit more often.

She thinks you should visit more often.

The Hammer Museum is free, and always will be, so you don’t need to run down to a Coinstar to cover your admission costs. The gift shop is worth a gander, as I thought it was one of the best museum shops I’ve encountered. I almost added “dancer/performance artist” to my resume, as I was blinded by the bounty, and had a very close encounter with the artists of Plastic. The first item that nabbed my heart, was a shaggy reproduction of Touc, by Henri de Toulouse-Lautrec, on a slab of carpet.

Need I say more?

The Hammer Museum

Monday: Closed

Tuesday – Friday: 11AM—8PM

Saturday – Sunday: 11AM—5PM

10899 Wilshire Boulevard
Los Angeles, CA 90024
Phone: (310) 443-7000

 

 

 

 

 

Your gentleman suitor has duped you into another LAX pickup. At 6pm. On a Friday.

Do you:

A. Get your best sweatpants and plane pillow ready for a comfortable 2 hours in park on the 405?

B. Download as many new apps, music, and podcasts as your phone allows?

C. Plan ahead by checking out the area around the airport, so you can drive down a few hours before hand and do some much-needed exploring?

Instead of downloading Tinder, google “El Segundo museum of art”.

Yeah, that’s right. It’s not all volleyball, beer pong, and surfers in the South Bay. There’s a thriving art scene that’s been wondering why you haven’t visited.

The El Segundo Museum of Art is the creation of Eva and Brian Sweeney. They were looking for more space to house their expansive art collection, and it was suggested to them by the Mayor that they build a community gallery. The flip-flopped denizens of the beach cities have profited from their generosity. Not only is it free admission, the gallery also plays host to an ongoing artist in residence program. The intent of the museum is to encourage exchanges of culture and art dialogue within the community. The hope is, if we keep our hearts open to art, we can embrace change positively.

 

Your mom isn't here, you can draw all you want.

Your mom isn’t here, you can draw all you want.

 

During my first adventure here, the exhibition on view was “Home”. The exhibit features the rooms of a house, each with various items. From abstract paintings, to a well loved motorcycle. The installation explores how we perceive comfort in our dwellings. Whether we design our homes to be aligned with what is currently on the pages of Dwell, or, if our tastes dictate dominatrix dungeon, it is our sanctuary.

 

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Just the bare essentials.

 

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No, he isn’t part of the exhibit.

 

This art shack is also in the forefront of museum innovation: instead of placards next to each work, there are number cards. When you discover one that you become fond of, there is an iPad with numbers that correspond to each piece. If you wanted to research certain works intensively, you can even download the museum’s dossier onto your mobile device.

 

Are we playing four corners, or diagonals?

Are we playing four corners, or diagonals?

 

After indulging in art education, you realize there’s at least another hour to burn before you show off your best fist shake. You decide to head down to the beach. The thought of sipping on a warm, caffeinated beverage while sand castle construction seems appropriate. There’s quite a few bean slingers to choose from, but if you don’t mind driving a few more miles, you can stop by “Two Guns Espresso”, in Manhattan Beach. Opened up by New Zealanders Andrew “Stan” Stanisich and Craig Oram, they introduced much of the South Bay to the Flat White. If you’re not familiar, people often mistake it for a cappuccino or a latte. Hard to distinguish the differences, the foam is actually micro instead of dry, and the milk has a velvety, creamier texture that allows the sweetly, bitter espresso to shine. Totally different, right?

 

Clint gets testy when she takes too long.

Clint doesn’t like when they use soy milk by mistake.

 

Kiwis are also notorious for having high standards for their bean juice, don’t be surprised if this cup of joe is not the burnt, bitter brew you’re used to. Merchandise-wise, they sell “Keep Cup” containers, Two Guns T-shirts, and Cafe Vita beans. The “Keep Cup” is a barista standard cup made by an Australian duo. Initially sold only “Down Under”, they’ve been keeping the South Bay in the reusable cup loop.

If you’re feeling peckish, they have a breakfast/lunch menu available until 2pm. My favorite? The Stan-wich, lovingly named after one of the owners, Stan. A fried egg, arugala, pesto, tomato, asiago cheese, on a pretzel bun?

Oh my.

Besides breakfast, they offer salads and sandwiches for lunch, along with baked items that are made in-house.

 

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Caffeine and vitamin D found here.

 

Your adventure south of the airport has come to an end. Headed to LAX sand-laden, and grinning unabashedly by your cultural find, you don’t even mind that hotel shuttle cutting you off as you try to scoot into the innermost lanes. Instead of shaking your over-caffeinated fist at Terminal 2, you shrug it off, sneaking one more peek at the description of that painting you really liked. When your frustrated companion slides into the passenger seat MacGyver-style, they’ll be unconsciously happy that you didn’t download Tinder.

 

El Segundo Museum Of Art

208 Main Street, El Segundo, CA 90245

(424) 277-102

Hours: Friday, Saturday, Sunday, 10 am – 5pm

Monday – Thursday by appointment only

 

 

Two Guns Espresso

350 N Sepulveda Blvd. Ste 7

Manhattan Beach, CA 90266

Hours: Monday – Friday, 6am – 5pm, Saturday – Sunday, 7am – 5pm